Back in July our Michael Feinberg published an article titled 5 Things I Wish I Was Told in Music School. That turned out to be – by far – the most viewed post of our blog, which made us realized that musicians out there are particularly interested in learning from others’ experiences. Coming from that perspective we decided to make a […]
Applications of Long and Short Strokes with Jazz Brushes In the first installment of this two-part post on jazz brushes I explained how to produce long and short strokes with lateral motions, and I promised that today I would introduce ways to use this technique musically and creatively. Here I am to keep my word and share with […]
A More Modern Approach to Comping Hi there, this is a simple but super effective way of organizing voicings to get access to quick, solid voice-leading and to achieve a more modern approach to comping. This ‘sound’ has been popularized by Bill Evans, Herbie Hancock, McCoy Tyner and Chick Corea, among many others, and has […]
Becoming Familiar with Lateral Short and Long Strokes with Jazz Brushes Back in September I wrote a post titled An Introduction to Brushes, where I examined how to produce long legato sounds using circular motions, an essential part of jazz brushes technique. In this post I will describe another important area of brush playing: staccato sounds. The […]
Hey peeps, I’m coming to you through this first post to talk a little bit about one of the most important things in group playing: providing accompaniment, or “comping”, in particular, voicings. In a jazz playing context, if you’re a harmonic instrument (guitar, piano etc) you’ll find yourself more often than not taking up the […]
As a developing musician, improving your time and rhythm is one of the most important technical aspects to prioritize, regardless of what instrument you play. After all, it is thanks to time that we can make sense of music, and if we didn’t organize it in some fashion (rhythm), all we would hear would be […]
(Original saxophone picture courtesy of Elisabeth D’Orcy) One of the most common refrains we hear regarding jazz is that the most important thing is to have your own sound. This is pretty much considered the holy grail of jazz playing. With it come the keys to the kingdom. Without it we are condemned to craftman-ship […]
There are so many obstacles we confront as students of music. In jazz it’s expected to have a deep understanding of harmony, be able to play all tempos, be fluent in various styles, have a large repertoire, etc. With so much to learn, practice, and incorporate into our playing it’s typical for students to feel […]
Moving to New York to become a professional musician was always a dream for me as a kid. I did everything I could to soak up the knowledge that I thought I needed if I was ever going to “make it” which included studying at the Berklee College of Music, The University of Miami, and […]